The 2026 Cine Gear Expo Los Angeles @ Universal Studios: New Technology & Products, & Awards!

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Cine Gear Expo Los Angeles 2026 at Universal Studios, had the 2026 Technical Awards- that honored excellence and innovation in filmmaking technology, and brought together over 14,000 attendees to experience the film industry’s the latest in production technology, creativity and storytelling, with more than 250 industry-leading brands on display. From hands-on gear demos to over 35 thought-provoking seminars, inspiring film screenings, demonstrations, and conversations with the filmmakers, cinematographers, and innovators shaping the future of visual storytelling.

This awesome and gigantic sized Expo, where the film industry’s top technology met creativity event, was focused on creating an immersive experience for professionals across the cinematic spectrum, with a vibrant mix of gear exhibits, film-making and career panels, tech showcases, hundreds of exhibitors showcasing the latest production technology, Educational seminars and conversations with industry leaders, Hands-on demonstrations and activations, Backlot experiences, and Networking opportunities with filmmakers, cinematographers, and production professionals, amid one of the world’s most historic studios! For the second year in a row Cine Gear was held at one of the world’s most historic studios: at the famed Universal Studios Lot, in Universal City, CA on June 5th and 6th, 2026. & again it was on the same backlot streets where countless stories have come to life: At Universal Studios they had so many historic movies filmed there on their back lot, and even now they have those same famous sets, stages, props, posters, furniture, clothing, statues and cars from those iconic movies on display- that we all have seen throughout our lives- so it was a real pleasure to go there once again this year. 

Attendees were able to explore the epicenter of filmland, with stages that were essential for film and television classics like Back to the Future, Halloween, Jurassic Park, Psycho, Desperate Housewives, Apollo 13—and continue to set the scene for today’s productions, while exploring the latest tools, technology, and techniques shaping the future of filmmaking. From award-winning cinematographers and industry legends to emerging filmmakers and innovative exhibitors, Cine Gear Expo is where the creative and technical sides of storytelling come together. 
For the second year in a row: The Awards and the amazing Cine Gear Expo VIP Party that we were invited to, had some great food and drinks, and was held on the iconic movie back-lot of the Back to the Future Movie trilogy: the legendary scenery of Courthouse Square, where you can still see the original CITY HALL and CLOCK on the top: 
where the time is still set to the same time when they went “Back to the Future”: This VIP Party brought together filmmakers, exhibitors, sponsors, and industry professionals for an evening dedicated to the people and stories that inspire our industry. Cine Gear LA 2026 brought together some of the most exciting filmmaking technology we’ve seen this year, from major camera system launches to workflow innovations designed for the realities of modern production, so the 2026 Cine Gear Awards Ceremony honored: Ed Lachman, ASC — with the Cinematography Legend Award, Caleb Deschanel, ASC — with the Legacy Lifetime Award, and M. David Mullen, ASC — with the Karl Kresser Heart of the Community Award. They recognized the winners of the Cine Gear Film Series and provided a unique opportunity to connect with industry leaders and fellow storytellers. Cine Gear continues to be one of the most filmmaker-focused events of the year, and the products recognized here reflect where the industry is actively heading, not just technically, but creatively and operationally as well. Congratulations to all of this year’s winners for developing tools that genuinely stood out on the show floor and demonstrated real value for filmmakers working today. 
We were able to walk around on the New York Avenues, and visit all the booths and exhibits. There were lots of films to see, such as the Independent Short Films: DEBBIE WALKS HER DUCK, FLESH & BLOOD, IMAGO, SHE IS GUILTY, SUPER HUMAN ANXIETY, and THE PEARL COMB. Music Videos: 1.21 GIGAWATTS (No More Kings), BRAINDEAD (Papa Roach), DODGING BULLETS (Myah), LA VITA DANZA (Bloom), LONLEY LIFE (Codefendants). Student Short Films: ARE YOU A FRIEND OF DOROTHY?, BUKRA, CHANGING ROOM, EL ALMA DE LA SED, THE JOKE’S ON HIM, and THE WITCH PRICKER & THE HARE.

This year the big Cine Gear EXPO theatrical Movie Premier was: “I Love Boosters” that is about when professional shoplifters embark on a wild adventure as they target a cutthroat fashion mogul. I Love Boosters is a 2026 American absurdist crime comedy film written and directed by Boots Riley. Following the adventures of a group of shoplifters, it features an ensemble cast that includes Keke Palmer, Naomi Ackie, Taylour Paige, Poppy Liu, Eiza González, LaKeith Stanfield, Will Poulter, Don Cheadle, and Demi Moore.

The film premiered at the 2026 South by Southwest Film & TV Festival on March 12, 2026, and was released theatrically in the United States by Neon on May 22. It received positive reviews from critics. I Love Boosters is a wildly ambitious, anti-capitalist surrealist comedy directed by Boots Riley. Starring Keke Palmer, the film follows a crew of resourceful shoplifters—the “Velvet Gang”—who steal high-end designer clothes and resell them at affordable prices, evolving into an inventive, madcap protest against fashion industry exploitation.

Maximalist Style: Critics widely praise the film’s pop-art aesthetic, vibrant colors, and dynamic production design. Killer Cast: Reviewers single out Keke Palmer, Naomi Ackie, and Taylour Paige for their charismatic, lived-in chemistry as the shoplifting trio. Demi Moore also shines as a comically tyrannical, out-of-touch fashion mogul. Radical Message: True to Riley’s trademark style, the movie blends heavy socioeconomic themes (labor exploitation and the necessity of unions) with highly energetic, cartoonish magic realism.

The star of this movie: Keke Palmer was so nice to talk to all of us, and pose for a group photo with us: she is in the below photo- 2nd from the right in the photo- next to me- Steve, with Matt on the left of the photo, and Margie 2nd from left: Cine Gear Expo is the premier event for thousands of professionals from all corners of the globe, who are engaged in the film and entertainment technology industry. Cine Gear featured over 300 exhibits, workshops, panel discussions, masterclasses, product demonstrations, virtual reality technologies, insights from industry experts, cinematographers, visual effects artists, and producers; new product and service introductions, complimentary seminars led by industry leaders, and ample opportunity to network with peers, all within an exciting studio environment. Cine Gear had everything you need to produce and distribute Motion Pictures, Films, Movies, Docs, Shorts, and TV shows. With booths, and tables- both outdoors and inside of the warehouses and movie studio stages, with large broadcast, movie, film, video and still cameras; filming gear, editing, video and audio equipment, mics, lighting, rigs, storage devices, and just about every accessory, part, add on, and expendable that you could ever need for your next production was there! All the major studios, reps, and equipment companies were there! This was a must event for anybody who is somebody in the Entertainment Business!

As in past years the PRE- CINE GEAR EXPO PARTY was held at FilmTools in Burbank, the day before The Cine Gear Expo opened up. FilmTools is very close to Universal Studios. Film Tools had camera, sound, video, and storage equipment, and all the additional accessories you can ever need for your next filming project. Film tools is committed to providing you with the latest tools to create stunning images. They carry cameras for a wide variety of creatives, from professionals shooting high-resolution RAW footage to hobbyists wanting to strap an action camera to a helmet. Film tools is your camera house shipping film-making supplies worldwide, and when you shop with them, anyone is a filmmaker or photographer. They provide cameras that they believe will best benefit videographers, content creators, independent filmmakers, and photographers. 
There was feature hands-on exhibits and demonstrations from leading companies including ARRI, Aputure, Astera, Blackmagic Design, Cartoni (in above photo), Creative Solutions, Fujifilm, RED, Leitz Cine, Nanlux, Matthews, Sony, Tiffen, and Zeiss, to name just a few. Visitors were able to get up close and personal with cutting-edge developments in camera, optics, lighting, as well as breakthroughs in virtual production, AI-assisted workflows, and sustainable filmmaking practices. 

 At booth 607“The Original Hollywood Grip Company” – Matthews Studio Equipment had some great products for Filmmakers. See the photo on the left of their store, and above photo taken on the back-lot at the 2026 Cine Gear Expo at Universal Studios. The T-GO Ball Head Kit:  Sleek, strong, low profile camera rigging originally built for roller coasters and high-impact sports. It can handle anything you throw at it. Kit comes with 1x Mini Ball Head Mount, 1x Junior Pin Bracket, and 1x Grid Clamp Mount: 

We went to the booth for Duclos Lenses that is the premier motion picture lens service facility, that has the tools and skills required to service and maintain your professional motion picture lenses. They have everything to make sure your lenses are taken care of for all of your productions. “Duclos Lenses is the premier destination for high quality motion picture optics. We strive to provide quality service to the industry’s professionals who own and rent top-of-the-line cinema optics. We have the test equipment and experience required to optimize and maintain all of your lenses. We’re a family owned and operated business who not only appreciate and respect customers in a way only a small business could, but also thrive off of our customers satisfaction and repeat business.” – :

At Cine Gear Expo booth #409 we checked out the Sigma AF Cine zooms, the 28-45mm T2 and 28-105mm T3. These new lenses are must-haves for documentary and live event productions in a practical shooting environment, that was led by Sigma Ambassador Graham Sheldon:

Again this year Cartoni was at Cine Gear LA 2026 June 5th & 6th at Universal Studios! They were in Booth #19 on the studio back-lot:and we were able to check outCartoni’s latest professional camera support solutions including the new Mixo 21 fluid head, Ragno Pod tripod riser system, and a lot more:

Canon’s latest cinema and broadcast solutions, were the new CINE-SERVO 40-1200mm T5.0-10.8 RF (the world’s longest focal length lens), and the new EOS R6 V.

CINE-SERVO 40-1200mm T5.0-10.8 RF: 
  • World’s longest Super 35mm focal length (1200mm)
  • Portable design for a wide range of productions
  • Built-in 1.5x extender provides full-frame sensor coverage when engaged and expands focal range to 1800mm
  • Features USB power supply, which boosts the servo speed
  • Compatible with ARIA and ALAC communication protocols via 12-pin connector
  • Supports Dual Pixel CMOS AF II and Focus Guide with RF mount communication.
  • Auto Exposure Ramping Compensation (only with EOS C400)                                                                                                                                                                    The CINE SERVO 40–1200mm T5.0–10.8 is a remarkable achievement in Canon optics, offering a lightweight and compact design (approx. 14.8 lbs. and approx. 17.2 inches in length) while delivering unprecedented focal length. The built-in 1.5x extender allows the lens to reach an 1800mm equivalent focal length on Super 35mm sensors. Its size makes it ideal for either tripod use or car/aerial mounting, and the increased magnification allows you to capture details more closely. The lens natively covers Super 35mm sensors, with the integrated 1.5x extender further expanding its versatility to support full-frame sensor cameras.                                                                                                                                                                                                        Innovation extends beyond optics: The drive unit has been redesigned with Focus Breathing Compensation and a newly-added USB-C terminal. When powered via USB-C terminal. In the demanding world of professional productions such as sports, live events, cinema, and houses of worship, the CINE-SERVO 40–1200mm keeps up and helps to elevate every shot.    Canon also had a seminar at Theater 1 on Friday, June 5th, from 3:00–3:50 PM, about Creating Narrative and Documentary with the Canon EOS C400, featuring Canon Explorer of Light and DP Shana Hagan, ASC (Generation Wealth), alongside DP Sarah Whelden (Their Town).Another booth that we visited again, and a great product that we use all the time, and that all work very well with our own broadcast video cameras are: Core SWX batteries. In the above photo you can learn about Core SWX Recommended Charging & Storage Practices.                                               Warning Signs You Should Never Ignore:
  • Battery Running Hot – Potential internal damage or overcharge issue.
  • Sudden Runtime Loss – Possible cell degradation or imbalance.
  • Swelling or Deformation – Immediate removal from service required.
  • Voltage Sag Under Load – Indicates elevated internal resistance.
  • Sweet / Chemical Smell – Potential electrolyte venting hazard.
  • Professional Power Is More Than Watt-Hours

    Modern production batteries are intelligent power systems designed to safely manage charging, discharging, thermal conditions, runtime accuracy, and equipment protection.

    Professional battery systems combine:

    • advanced BMS protection
    • communication protocols
    • runtime intelligence
    • thermal management
    • certified transport compliance
    • high-current delivery stability to improve both reliability and long-term performance in demanding production environments.

      How Core SWX Approaches Professional Power

      Core SWX battery platforms are designed around real-world production workflows, combining intelligent battery management systems, runtime visibility tools, charger communication protocols, and high-current delivery systems to support demanding professional environments.

      Some Core SWX platforms also incorporate:

      • runtime estimation displays
      • VoltBridge iD battery diagnostics
      • customizable ColorID fleet labeling
      • advanced charger communication systems to help crews better manage power on set.
      • So, if you like to buy your own CORE SWX batteries today, you can contact Core SWX LLC at: 

        Address
        New York HQ
        91 Commercial St.
        Plainview NY, 11803
        (516) 595-7488

        Address
        Core LA
        2501 W. 237th St. Suite C
        Torrance, CA 90505
        310-920-6568

        Toll Free
        888-283-9995

        Sales
        sales@coreswx.com

        Product Support
        support@coreswx.com

        Marketing
        press@coreswx.com

        Core LA
        LA@coreswx.com.

        Website: coreswx.com

        To learn more about battery use, care and storage go to: coreswx.com/pages/battery-knowledge?

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